Featured Artist on The Fire Note

We're a featured artist for the month of October on The Fire Note for our debut album Soul Mates!

New York, New York

New York’s brand new “dub-pop” trio Heavensbee is comprised of members with deep roots in the NYC ska scene: Roger Apollon, Jr., Marc Wasserman, and Meg Howe. The songs on Soul Mates build on this history and combine ska (The Specials), 80’s new wave (Depeche Mode, Human League) and indie rock (Lana Del Ray, the xx). This combo makes for a different listen that stands out in a sea of Bandcamp pages. 

Heavensbee Bandcamp

Duff Guide To Ska Review



Thursday, October 1, 2015

Duff Review: Heavensbee "Soul Mates"

Trilby Records
Digital download (through Amazon)

(Review by Steve Shafer)

Named after a character from "The Hunger Games" (Plutarch Heavensbee, who is one of the leaders of the rebellion in District 13 against the Capitol), the new, intriguing, self-described "dub-pop" trio Heavensbee is comprised of members with deep roots in the NYC ska scene: Roger Apollon, Jr., Marc Wasserman, and Meg Howe. All three are currently in the ska-does-New Wave act Rude Boy George (full disclosure: I was a member of RBG for a spell), while Apollon and Wasserman are also founding/ongoing members of the terrific 2 Tone-influenced Bigger Thomas and Howe has her own excellent ska-pop-punk band, Across the Aisle.

As the brilliant and cheeky cover artwork might suggest, Heavensbee's Soul Mates is largely concerned with the seemingly enormous challenges of successfully navigating romantic relationships (without being emotionally devoured--love is a battlefield, indeed!)--with the ultimate goal of finding, and holding onto, one's perfect mate. Having said that, it's not an album full of happy love songs, but it certainly contains some very beautiful original music about the experience of looking for love.

Heavensbee's dub-pop sound is very much grounded in ska and reggae, but they also mix in small bits of rock and hip hop, and everything is coated in an appealing UB40-ish pop sheen (the songs were written by Wasserman, while the lyrics were composed by Apollon and Howe). Of note, most of the tracks contain compelling lyrical exchanges between the two singers--illustrating the push and pull/point-of-view of the two people engaged, locked, or trapped in the relationship (oftentimes going south).

One of my favorite tracks on Soul Mates is "Life Boat," an amazing, stripped-down pop song (vocals, keys, and clarinet) about a relationship "lost at sea," with unexpected pauses between their sung exchanges, like the singers only appear when the crests of the waves lift them up into sight/hearing range (and, in a similar vein, their lyrics are like these disjointed snippets/observations about their perilous situation that you only sometimes catch). The chorus includes this plea for rescue: "Lower, lower the lifeboat/fire, fire the flare." The pretty ballad/duet "Lay of the Land" covers similar topical territory (losing one's way in a relationship): "Frustration and the pain replaced the pleasure/the journey hasn't gone the way we'd planned."

Not everything on the album is sour. The fantastic Toots and Maytals'-like "Mr. Know Everything" has the female singer gently--but firmly--countering the male singer's swagger:

"(Roger:) I looked at my phone
and got the new reminder
Today's the day
You thought I would forget

I'll take you out
and treat you a little kinder
It's so easy
I don't sweat

You'll be so happy
When you see
I know it all
Just trust in me

(Meg:) Hey, hey, hey
I'll love you forever and always
But you don't know everything
My love, my darling

Did you know, they call me Mr. Know Everything?

You're thinking that I don't know what I'm doing
I make it look so easy and so cool
The moves I've got keep all the lady queuing
Let me tell you
I'm no fool
You're so lucky you're with me
I know it all
Just trust in me"

It may be an imperfect relationship, but they're comfortable enough with being themselves--and understanding each other--and they've made it work (so far!).

Another fave is "You Put Me On," which has this driving, wonderfully menacing, New Wave-y ska sound. And, like another certain song from the 80s, compares vinyl records to relationships:

"(Roger:) You gaze around my party
and you caught my eye
I love the sound you make
And I don't know why

When I put you on
You make me move my feet
I want to keep you playing
Keep you on repeat

So many records, so little time...

(Meg:) You put me on
You spin me round
You turn me up
And turn me down
Roller coaster 'till the break of dawn
And then I'm gone

More love, pump up the sound
With each spin, I'm losing ground
Hold me gently, I'm not a toy
I need some love from my sound boy"

In this song, for the male singer, music/women are like dirt (in the Desmond Dekker sense of the word: everywhere, plentiful), but she wants to be his exclusive number 1.

As much as I love vintage, 2 Tone, and 3rd Wave ska (as well as roots reggae), I'm attracted to acts that like to take risks and experiment with nudging the genre's boundaries into fresh sounds and compelling places--something that Heavensbee is doing quite nicely. At the moment, this act is solely a studio creation; but my fervent hope the songs on Soul Mates are given life on stage. I very much want to see where they might go!


Posted by Steve from Moon at 2:19 PM

Email ThisBlogThis!Share to TwitterShare to FacebookShare to Pinterest

Labels: 2 ToneAcross the AisleBigger ThomasDesmond DekkerDuff ReviewHeavensbeeRude Boy GeorgeToots and the MaytalsUB40

Our first review

Check out our first review of our debut album Soul Mates by Readjunk.com!  

Heavensbee – “Soul Mates”

Album Reviews | By Bryan Kremkau on Sep 29th, 2015

Record Label: Trilby Records
Genre: Dub reggae
Band Link: http://www.heavensbee.com/
Buy on Amazon.com

Roger, Megg and Marc from Rude Boy George have started another side project called Heavensbee. You might have also seen and heard Roger and Marc in Bigger Thomas and Megg in Across The Aisle. They describe their sound as Dub pop, but you can definitely hear other styles like ska, reggae, 80s music (of course), and even a little bit of indie music as their inspiration. If these three made a polka zydeco ska band, I would probably listen to it.

The first track on the 10 track album is the song called “Bounce Back.” Megg sings lead on this one and it’s a good one to start things off with. It’s got that UK reggae/dub vibe to it which has gotten popular lately. The next track “Bombs Away” is similar in style and probably my favorite off the new album. It’s the first track the band gave fans a sneak peek of. So after hearing that, I was eager to hear the rest of the album. The song makes me want dance and I particularly like Roger’s verses the best for that song.

I’m not particularly fond of dub music per say but this isn’t straight up dub music either. It’s not just remixes and instrumentals. There’s a dub element to the sound but I think it offers up something different than usual reggae music. You combine a few different styles, you get something unique which Heavensbee is. The songs I’ve mentioned are the ones that I felt were the strongest, along with “the Time Has Come” towards the end of the album. I didn’t get 1 or 2 songs in the album so not sure how they sound but I’m assuming they are just as good as the other ones I heard. If you like Rude Boy George, check out the latest side project from Roger, Megg and Marc.

Bottom Line: Interesting and unique side project from members of Rude Boy George
Notable Tracks: Bounce Back, Bombs Away, Lay of the Land, The Time has Come
Overall Rating: 


dub popHeavensbeereggaeskaSoul MatesTrilby Records